[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"portal:site-config:zh":3,"portal:page:zh:all":87,"portal:chapter:zh:all":141,"portal:article:zh:all":321,"portal:seo-meta:zh:article:seven-chapters":468},{"site":4,"profile":18,"navigation":31,"organization":73},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},"b9ae74aa-8f47-42b8-9623-eada97a833f7","740fe456-a6b4-44c3-b846-1d439cbc39c6","d228a57e-d87d-468a-ac1b-576c958920dc","184669fa-f971-4c15-81f6-edb28c74289d","qinglu-cn","qinglu","zh-cn","china","default","UTC",false,"zhiciqinglu.cn","\u002F",{"entryId":19,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":20,"slug":21,"title":22,"status":23,"data":24,"revision":27,"publishedAt":28,"createdAt":29,"updatedAt":28,"relations":30},"e03b98ae-f6a1-4c9b-a5fb-8c383467f5c9","site_profile","singleton","只此青绿","published",{"description":25,"siteName":22,"faviconAssetId":26},"舞蹈诗剧《只此青绿》官方门户","\u002Fuploads\u002F20261013115619_525af8a1d2_omni_webp_q80_500.webp",4,"2026-10-13T03:56:32.871Z","2026-08-04T05:52:02.778Z",[],{"entryId":32,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":33,"slug":34,"title":35,"status":23,"data":36,"revision":68,"publishedAt":69,"createdAt":70,"updatedAt":71,"relations":72},"869be1bb-d8fb-41a4-8b19-1a9bb9977c53","navigation","primary","主导航",{"location":34,"items":37},[38,42,47,52,56,60,64],{"label":39,"href":17,"categorySlug":40,"modelType":41},"首页","home","page",{"label":43,"href":44,"categorySlug":45,"modelType":46},"看懂青绿","\u002Funderstand-qinglu","understand-qinglu","article",{"label":48,"href":49,"categorySlug":50,"modelType":51},"七个篇章","\u002Fseven-chapters","seven-chapters","chapter",{"label":53,"href":54,"categorySlug":55,"modelType":46},"艺术家","\u002Fartists","artists",{"label":57,"href":58,"categorySlug":59,"modelType":46},"全球巡演","\u002Fglobal-tour","global-tour",{"label":61,"href":62,"categorySlug":63,"modelType":46},"千场之路","\u002Fthousand-performances","thousand-performances",{"label":65,"href":66,"categorySlug":67,"modelType":41},"巡演合作","\u002Ftour-cooperation","tour-cooperation",6,"2026-08-17T04:33:58.762Z","2026-08-07T02:55:37.514Z","2026-08-23T18:08:12.281Z",[],{"entryId":74,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":75,"slug":21,"title":76,"status":23,"data":77,"revision":83,"publishedAt":84,"createdAt":85,"updatedAt":84,"relations":86},"f5128040-67e0-490f-9646-dd1416fe334f","organization_profile","公司信息",{"legalName":78,"socialLinks":79},"中国东方演艺集团有限公司",[80],{"platform":81,"url":82},"Instagram","https:\u002F\u002Fwww.jquan.win",2,"2026-08-23T18:50:41.371Z","2026-08-23T18:50:35.293Z",[],{"entries":88,"site":140},[89,111,126],{"entryId":90,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":40,"title":22,"status":23,"data":91,"revision":103,"publishedAt":104,"createdAt":105,"updatedAt":104,"relations":106},"be65e222-606d-4810-b32f-fa397ad7ae40",{"hero":92,"author":96,"publishedAt":97,"seoKeywords":98,"seoDescription":99,"geoSummary":99,"summary":99,"body":99,"heroPosterUrl":100,"heroVideoUrl":101,"template":102},{"version":93,"source":94,"locale":95},"v3","qinglu-v3-demo","zh-CN","administrator:codex-page-category-backfill","2026-08-24T06:19:00.000Z","只此青绿,只此青绿","舞蹈诗剧《只此青绿》国际官方网站","\u002Fuploads\u002F20260824150918_3e033b1a48_omni_webp_q80_1920.webp","\u002Fuploads\u002F20260824141922_6fea0802e2.mp4","v3-home",20,"2026-08-23T23:09:49.962Z","2026-08-04T05:51:24.832Z",[107],{"field":108,"targetEntryId":109,"position":110},"categories","2e3f0980-339b-4314-81ef-68aecc0afe56",0,{"entryId":112,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":113,"title":114,"status":23,"data":115,"revision":83,"publishedAt":123,"createdAt":124,"updatedAt":123,"relations":125},"debd736f-a4d8-433d-8218-643ed9eb3a4d","scroll-beginning","一卷之始",{"summary":116,"body":117,"seoKeywords":118,"seoDescription":116,"geoSummary":116,"template":119,"hero":120,"author":121,"publishedAt":122},"从一个当代研究者独自站在画前的夜晚开始。灯暗下去，画卷打开。","\u003Cp>北宋末年，\u003Cbr>一个十八岁的年轻画家留下《千里江山图》，\u003Cbr>也几乎只留下这一卷。\u003Cbr>蔡京的题跋替我们保存了“希孟”这个名字；\u003Cbr>更完整的人生，却很快沉入史料的空白。\u003C\u002Fp>\u003Cp>《只此青绿》从今天的一次展卷开始。\u003Cbr>面对长卷的故宫博物院研究员，\u003Cbr>沿着绢、笔、墨、矿石与印章，\u003Cbr>走向画面背后更辽阔的时间，\u003Cbr>也走向那些没有进入画史的劳动者。\u003C\u002Fp>\u003Cp>舞台往返于两种时间：\u003Cbr>一边是被保存下来的作品，\u003Cbr>一边是再也无法追回的人。\u003Cbr>它不替历史补写传记，\u003Cbr>只让一件作品如何诞生、如何被珍藏，\u003Cbr>又如何在九百多年后重新来到我们面前，变得可以感受。\u003C\u002Fp>","只此青绿,一卷之始","home-story",{"version":93,"source":94,"locale":95},"jquan:qinglu-v3-content-seed","2026-08-18T08:51:28.000Z","2026-08-18T00:51:28.000Z","2026-08-18T00:51:27.662Z",[],{"entryId":127,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":67,"title":65,"status":23,"data":128,"revision":134,"publishedAt":135,"createdAt":136,"updatedAt":135,"relations":137},"da4640e8-5a1b-4933-9c4d-d3db841475f5",{"summary":129,"body":130,"seoKeywords":131,"seoDescription":129,"geoSummary":129,"template":132,"hero":133,"author":96},"巡演合作、商务洽谈、城市引进与表单线索入口。","\u003Cp>巡演合作、商务洽谈、城市引进与表单线索入口。\u003C\u002Fp>","只此青绿,巡演合作","page-cooperation",{"version":93,"source":94,"locale":95},12,"2026-08-09T18:21:58.950Z","2026-08-07T17:12:08.463Z",[138],{"field":108,"targetEntryId":139,"position":110},"4feda127-b49c-4726-8fc1-fc00351bac79",{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":142,"site":320},[143,179,206,229,251,274,296],{"entryId":144,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":145,"title":146,"status":23,"data":147,"revision":68,"publishedAt":174,"createdAt":175,"updatedAt":174,"relations":176},"160be77f-7f2f-4cd4-9ebe-f1547edd1fb2","chapter-7","入画",{"chapter_number":148,"subtitle":149,"summary":150,"image_asset_path":151,"body":150,"guide_items":152},7,"Into the Painting","画者搁笔。今人抬头。九百年，如一卷合上。","\u002Fuploads\u002Fqinglu-chapter-07-q80.webp",[153,159,164,169],{"key":154,"eyebrow":155,"title":156,"content":157,"defaultOpen":158},"who-appears","WHO APPEARS","人物","*希孟 —— 画家，也是此前所有材料与无名劳作抵达的地方。*",true,{"key":160,"eyebrow":161,"title":162,"content":163,"defaultOpen":15},"the-making","THE MAKING","制作汇合","绢已经织成，笔与墨已经准备，矿石已经成为颜色。到这里，年轻的画家才真正落笔。张翰塑造希孟时把第一个问题定得很具体：怎样让观众相信眼前是一个画家，而不是一个正在\"表演画家\"的舞者？于是，持笔、落笔、停笔与长时间独处的专注，比炫技更重要。",{"key":165,"eyebrow":166,"title":167,"content":168,"defaultOpen":15},"why-it-matters","WHY IT MATTERS","这一章为什么必须最后出现","七章把\"天才少年完成名画\"的单线故事重新打开。希孟仍然重要，却不再孤立：在他落笔以前，材料知识、工艺传统与许多没有留下姓名的劳动早已在场。",{"key":170,"eyebrow":171,"title":172,"content":173,"defaultOpen":15},"on-stage","ON STAGE","舞台转译","此前的人物、材料与动作重新汇入舞台。画不再只是背景；它成为许多没有署名的生命与劳动暂时聚合出的结果。","2026-08-17T04:34:00.840Z","2026-08-09T17:55:24.006Z",[177],{"field":108,"targetEntryId":178,"position":110},"d1525af1-1cb2-4345-9631-3e2bdd005371",{"entryId":180,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":181,"title":182,"status":23,"data":183,"revision":68,"publishedAt":202,"createdAt":203,"updatedAt":202,"relations":204},"1130a091-0ee7-4e67-87a9-eac6beee5bd5","chapter-6","淬墨",{"chapter_number":68,"subtitle":184,"summary":185,"image_asset_path":186,"body":185,"guide_items":187},"Grinding the Ink","烟、胶，与时间。墨不是买来的，是磨出来的——慢得像一个人的一生。","\u002Fuploads\u002Fqinglu-chapter-06-q80.webp",[188,190,195,200],{"key":154,"eyebrow":155,"title":156,"content":189,"defaultOpen":158},"*制墨人 —— 烟、胶、汗水与年复一年的重复。*",{"key":191,"eyebrow":192,"title":193,"content":194,"defaultOpen":15},"the-craft","THE CRAFT","工艺","制墨，不是文人案前研墨的那一刻。炼烟、取烟、熬胶、和料、捶打、揉捻、成型、翻晒，每一道都带着重量、温度与时间。制墨人的身体先带着劳动留下的质地：双手持续劳作，汗水与重复先于漂亮的造型。",{"key":196,"eyebrow":197,"title":198,"content":199,"defaultOpen":15},"why-the-painting-needs-it","WHY THE PAINTING NEEDS IT","为什么青绿山水仍需要墨","青绿山水从来不只有蓝和绿，也不宜概括成\"先完成墨线骨架，再覆盖矿物色\"的单一路径。勾勒、皴染、墨色、赭色与青绿矿物设色可以彼此穿插、层叠，共同建立山石、树木、水纹与空间。对于《千里江山图》具体颜料层的先后关系，应以文物技术研究为准。可以确定的是：矿物色的华丽没有取消笔墨结构，二者共同构成这卷画的力量。",{"key":170,"eyebrow":171,"title":172,"content":201,"defaultOpen":15},"舞台把捶、揉、研与反复翻晒的力量组织成厚重、重复的节奏；墨色不是青绿的反面，而是与青绿共同建立山石与空间的另一层结构。","2026-08-17T04:34:00.565Z","2026-08-09T17:55:23.765Z",[205],{"field":108,"targetEntryId":178,"position":110},{"entryId":207,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":208,"title":209,"status":23,"data":210,"revision":68,"publishedAt":225,"createdAt":226,"updatedAt":225,"relations":227},"07b7e0d7-4a3d-429a-9381-3986f24a3a97","chapter-5","习笔",{"chapter_number":211,"subtitle":212,"summary":213,"image_asset_path":214,"body":213,"guide_items":215},5,"Making the Brush","千万根毫，一根一根拣出来。只为落笔那一瞬，不虚。","\u002Fuploads\u002Fqinglu-chapter-05-q80.webp",[216,218,220,223],{"key":154,"eyebrow":155,"title":156,"content":217,"defaultOpen":158},"*制笔人 —— 最安静的工匠之一。*",{"key":191,"eyebrow":192,"title":193,"content":219,"defaultOpen":15},"传统制笔工匠的双手长期浸水，劳作甚至会留下肿胀；成百上千根毫毛要被反复挑选、理齐、分层、扎束，任何急躁都会留在最后的笔锋里。这个人物的力量不来自大幅度动作，而来自耐心、精度与韧劲。",{"key":196,"eyebrow":197,"title":221,"content":222,"defaultOpen":15},"为什么线条先取决于工具","毛笔决定一条线如何起、行、转、收，也决定水与墨怎样被带进绢纤维。画中的一笔既属于希孟，也属于那支笔，以及把毫毛一根根理齐的人。",{"key":170,"eyebrow":171,"title":172,"content":224,"defaultOpen":15},"演员为这一章学习到足以实际做出一支毛笔的程度。舞台上的聚、散、提、按因此不是工艺示意图，而是理解工艺以后留在身体里的节奏与方向。","2026-08-17T04:34:00.273Z","2026-08-09T17:55:23.498Z",[228],{"field":108,"targetEntryId":178,"position":110},{"entryId":230,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":231,"title":232,"status":23,"data":233,"revision":68,"publishedAt":247,"createdAt":248,"updatedAt":247,"relations":249},"82962863-bb64-4595-bcf4-df0b9263c4ca","chapter-4","寻石",{"chapter_number":27,"subtitle":234,"summary":235,"image_asset_path":236,"body":235,"guide_items":237},"Pursuing the Stone","总要有人走进山里，把一种颜色背下来。","\u002Fuploads\u002Fqinglu-chapter-04-q80.webp",[238,240,242,245],{"key":154,"eyebrow":155,"title":156,"content":239,"defaultOpen":158},"*磨石人 —— 一生在路与杵臼之间。*",{"key":191,"eyebrow":192,"title":193,"content":241,"defaultOpen":15},"他先入山辨石，再把矿物带回，敲碎、研磨、淘洗、分级。这个人物没有炼金术士的神秘；他更像一个把一生交给石头、粉尘、路途和重复劳动的人。外表质朴，动作不求炫目，真正的分量来自把同一件事越做越深。",{"key":196,"eyebrow":197,"title":243,"content":244,"defaultOpen":15},"为什么\"青绿\"首先是石头","石青与石绿的价值不只在色相。蓝铜矿、孔雀石等矿料经过选择、粉碎、研磨、淘洗与分级，才能成为适合绘画的矿物颜料；不同粒度与叠加方式会改变颜色的覆盖与光泽。《千里江山图》以大面积矿物设色形成极强的视觉存在，也让通常无名的材料劳动进入作品。",{"key":170,"eyebrow":171,"title":172,"content":246,"defaultOpen":15},"舞台把负重、行走、拾取、敲击与研磨的反复性留在身体里；山色从来不是\"凭空出现\"的。","2026-08-17T04:33:59.965Z","2026-08-09T17:55:23.256Z",[250],{"field":108,"targetEntryId":178,"position":110},{"entryId":252,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":253,"title":254,"status":23,"data":255,"revision":68,"publishedAt":270,"createdAt":271,"updatedAt":270,"relations":272},"aeca75d4-1648-468d-84d8-158939fb6269","chapter-3","唱丝",{"chapter_number":256,"subtitle":257,"summary":258,"image_asset_path":259,"body":258,"guide_items":260},3,"Reeling the Silk","未有画时，先有绢。绢之前，是沸水，是彻夜不眠的手，是比念头更细的一缕丝。","\u002Fuploads\u002Fqinglu-chapter-03-q80.webp",[261,263,265,268],{"key":154,"eyebrow":155,"title":156,"content":262,"defaultOpen":158},"*织绢人 —— 她们先于画家，把一片\"空白\"织出来。*",{"key":191,"eyebrow":192,"title":193,"content":264,"defaultOpen":15},"从桑叶养蚕、结茧缫丝，到经纬织造与整理，这是一种漫长、细密、几乎没有英雄时刻的劳动。人物长期与丝、水、经纬和张力相处，身体因此需要连续、耐心，对细小变化极其敏感。",{"key":196,"eyebrow":197,"title":266,"content":267,"defaultOpen":15},"为什么画从绢开始","绘画用绢从来不是一块天然、无历史的白布。织造密度、丝线张力与表面处理都会改变墨与颜色如何停留。传统书画绢常涉及施胶、用矾等工序；《千里江山图》原始绢本的具体配方仍需以本卷技术研究为准。\n\n画家的\"第一笔\"落下以前，绢面已经经过许多人的劳作。",{"key":170,"eyebrow":171,"title":172,"content":269,"defaultOpen":15},"丝的牵引、缠绕与张力进入群舞；流动不只是\"像丝\"，而来自手艺中持续不断、不能骤然断开的节奏。","2026-08-17T04:33:59.689Z","2026-08-09T17:55:23.018Z",[273],{"field":108,"targetEntryId":178,"position":110},{"entryId":275,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":276,"title":277,"status":23,"data":278,"revision":68,"publishedAt":292,"createdAt":293,"updatedAt":292,"relations":294},"3564ffd1-bf12-474f-96db-95c43537ca61","chapter-2","问篆",{"chapter_number":83,"subtitle":279,"summary":280,"image_asset_path":281,"body":280,"guide_items":282},"Tracing the Seal","凡经手者，皆留一印。他一枚一枚地问：是谁来过。","\u002Fuploads\u002Fqinglu-chapter-02-q80.webp",[283,285,287,290],{"key":154,"eyebrow":155,"title":156,"content":284,"defaultOpen":158},"*篆刻人 —— 案前极静，刀下极重。*",{"key":191,"eyebrow":192,"title":193,"content":286,"defaultOpen":15},"篆刻通常需要把印文反向处理，再以刀入石。人物的力量不是外放，而是\"粗中有细\"：刻刀向下吃进石面，腕与肩必须稳，视线始终锁在小小石面上。真实的篆刻劳动让这个人显得安静、专注、近乎固执；刀却从未真正停下。",{"key":165,"eyebrow":166,"title":288,"content":289,"defaultOpen":15},"印章与画卷的流传","问篆并不是在说\"没有印章就不能画画\"。它谈的是名字怎样进入作品，也谈一件手卷怎样在后世不断积累观看与收藏的痕迹。《千里江山图》本幅无作者名款，\"希孟\"主要由卷后题跋留下；此后画卷又不断获得鉴藏印章与题跋。印章于是连接作者、收藏者、观看者与流传的时间。",{"key":170,"eyebrow":171,"title":172,"content":291,"defaultOpen":15},"舞台把刻刀的下压力、顿点与短促转向变成身体节奏：幅度可以很小，力量却必须真正落下。","2026-08-17T04:33:59.348Z","2026-08-09T17:55:22.742Z",[295],{"field":108,"targetEntryId":178,"position":110},{"entryId":297,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":298,"title":299,"status":23,"data":300,"revision":68,"publishedAt":316,"createdAt":317,"updatedAt":316,"relations":318},"a3130155-2ad4-414c-96a2-519d51f47bc9","chapter-1","展卷",{"chapter_number":301,"subtitle":302,"summary":303,"image_asset_path":304,"body":303,"guide_items":305},1,"Unfolding the Scroll","他读了这幅画一生。今夜，他走了进去。","\u002Fuploads\u002Fqinglu-chapter-01-q80.webp",[306,308,311,314],{"key":154,"eyebrow":155,"title":156,"content":307,"defaultOpen":158},"*展卷人 —— 一位当代故宫博物院研究员。*",{"key":191,"eyebrow":192,"title":309,"content":310,"defaultOpen":15},"工作","面对一件脆弱而漫长的原作，文博研究的身体习惯先于戏剧动作出现：靠近以前先停，展卷轻缓，动作细小而准确。他不是穿越故事的向导，而是一个知道\"不能随便碰\"的人。",{"key":165,"eyebrow":166,"title":312,"content":313,"defaultOpen":15},"为什么它属于故事","今天的研究、保存与展陈，是这幅画继续抵达观众的条件。舞剧因此先从一个当代人的谨慎开始，再向古代制作的过去行进。",{"key":170,"eyebrow":171,"title":172,"content":315,"defaultOpen":15},"创作团队曾请研究《千里江山图》的故宫博物院研究人员进入排练，示范手卷如何轻柔地展开、停留与卷回。展卷人的谨慎因此不是\"文人气质\"的想象，而来自真实的文博工作尺度。","2026-08-17T04:33:59.047Z","2026-08-09T17:55:22.531Z",[319],{"field":108,"targetEntryId":178,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":322,"site":467},[323,338,353,367,380,393,406,420,435,447,458],{"entryId":324,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":63,"title":61,"status":23,"data":325,"revision":332,"publishedAt":333,"createdAt":334,"updatedAt":333,"relations":335},"ce6455ac-96f3-4766-aa63-e157158999a5",{"author":121,"publishedAt":326,"seoKeywords":327,"seoDescription":328,"geoSummary":328,"summary":328,"body":329,"excerpt":328,"coverAssetId":330,"publishedLabel":331},"2026-08-26T06:27:00.000Z","只此青绿,千场之路","从首演到第一千场的时间线。","今年十月的一个夜晚，在北京，\n在那座二〇〇八年全世界都看着的建筑里，\n这部作品将迎来它的第一千场。\n\n一千个夜晚。八十座城市。五大洲。\n同样的山，在一群从没听说过它们的人面前，\n一次又一次地站起来。\n\n第 1000 场不是一段旅程的终点。\n它是另一段旅程的起点。","\u002Fuploads\u002F20260826142624_92189ab586_omni_webp_q80_1920.webp","2026-08-26",18,"2026-08-26T01:06:41.060Z","2026-08-09T17:55:20.661Z",[336],{"field":108,"targetEntryId":337,"position":110},"cb2bf525-7446-483a-b7da-8800fa602d2d",{"entryId":339,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":340,"title":341,"status":23,"data":342,"revision":134,"publishedAt":348,"createdAt":349,"updatedAt":348,"relations":350},"fe7dc3c8-dc17-4030-92f1-09824440cf23","question-01","入场之前",{"summary":343,"body":343,"seoKeywords":344,"seoDescription":343,"geoSummary":343,"subtitle":345,"excerpt":343,"author":121,"publishedLabel":346,"publishedAt":347},"展卷人、希孟、青绿。九十秒，认识连接两重时间的三个人物。","只此青绿,入场之前","01 \u002F 入场之前","2026-08-17","2026-08-17T12:37:30.153Z","2026-08-17T18:08:44.467Z","2026-08-16T18:54:07.547Z",[351],{"field":108,"targetEntryId":352,"position":110},"a30aff93-e6a2-4c96-827b-9bb3c39289d1",{"entryId":354,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":355,"title":356,"status":23,"data":357,"revision":362,"publishedAt":363,"createdAt":364,"updatedAt":363,"relations":365},"41067ec9-629a-405f-8e92-cdcb1d66e2bf","question-02","宋与画卷",{"summary":358,"body":358,"seoKeywords":359,"seoDescription":358,"geoSummary":358,"subtitle":360,"excerpt":358,"author":121,"publishedLabel":346,"publishedAt":361},"宋徽宗、希孟、《瑞鹤图》与《千里江山图》；再看矿物色和手卷如何把空间变成时间。","只此青绿,宋与画卷","02 \u002F 宋与画卷","2026-08-17T12:37:29.878Z",11,"2026-08-17T18:08:44.175Z","2026-08-16T18:54:07.230Z",[366],{"field":108,"targetEntryId":352,"position":110},{"entryId":368,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":369,"title":370,"status":23,"data":371,"revision":362,"publishedAt":376,"createdAt":377,"updatedAt":376,"relations":378},"b3943f4c-6f55-40f0-be56-c0358354cf0c","question-03","从画到舞",{"summary":372,"body":372,"seoKeywords":373,"seoDescription":372,"geoSummary":372,"subtitle":374,"excerpt":372,"author":121,"publishedLabel":346,"publishedAt":375},"画中的青绿山势怎样被重新组织为动作；重量、倾斜、停驻与群体关系如何让身体具有山的尺度。","只此青绿,从画到舞","03 \u002F 从画到舞","2026-08-17T12:37:29.527Z","2026-08-17T18:08:43.841Z","2026-08-16T18:54:06.988Z",[379],{"field":108,"targetEntryId":352,"position":110},{"entryId":381,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":382,"title":383,"status":23,"data":384,"revision":362,"publishedAt":389,"createdAt":390,"updatedAt":389,"relations":391},"83529f6a-cdee-486e-a946-6f398d65d1d9","question-04","方寸之间",{"summary":385,"body":385,"seoKeywords":386,"seoDescription":385,"geoSummary":385,"subtitle":387,"excerpt":385,"author":121,"publishedLabel":346,"publishedAt":388},"近十二米的山水，最终落在一方舞台。空间、服装、色彩、音乐、妆造与灯光彼此成全，也彼此克制，才让千里江山在有限空间里有了呼吸。","只此青绿,方寸之间","04 \u002F 方寸之间","2026-08-17T12:37:29.228Z","2026-08-17T18:08:43.549Z","2026-08-16T18:54:06.697Z",[392],{"field":108,"targetEntryId":352,"position":110},{"entryId":394,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":395,"title":48,"status":23,"data":396,"revision":401,"publishedAt":402,"createdAt":403,"updatedAt":402,"relations":404},"b54588dc-4d26-4ebf-94cd-cab031f74e13","question-05",{"summary":397,"body":397,"seoKeywords":398,"seoDescription":397,"geoSummary":397,"subtitle":399,"excerpt":397,"author":121,"publishedLabel":346,"publishedAt":400},"从展卷到入画，七章让观众认识一幅青绿山水在落笔以前需要哪些人、材料与手艺，也让那些没有留下姓名的劳动进入叙事。","只此青绿,七个篇章","05 \u002F 七个篇章","2026-08-17T12:37:28.970Z",13,"2026-08-17T18:08:43.257Z","2026-08-16T18:54:06.383Z",[405],{"field":108,"targetEntryId":352,"position":110},{"entryId":407,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":408,"title":409,"status":23,"data":410,"revision":83,"publishedAt":416,"createdAt":417,"updatedAt":416,"relations":418},"f25393de-1ef7-4b8c-b191-0edb87928e43","question-06","深读与参考",{"summary":411,"body":411,"seoKeywords":412,"seoDescription":411,"geoSummary":411,"subtitle":413,"excerpt":411,"author":121,"publishedLabel":414,"publishedAt":415},"从舞台继续向外读：手卷怎样改变观看，无名劳动怎样进入一件杰作，传统乐器又怎样在今天重新获得声音。这里汇集可以直接打开的博物馆、艺术史与音乐史资料。\n\n## 外部阅读\n\n- [故宫博物院｜王希孟《千里江山图》卷](https:\u002F\u002Fwww.dpm.org.cn\u002Fcollection\u002Fpaint\u002F228354.html)\n- [故宫博物院｜“千里江山”专题 \u002F 青绿山水相关研究](https:\u002F\u002Fwww.dpm.org.cn\u002Fsubject_rivsmounts\u002Fqljs\u002F245996.html)\n- [故宫博物院｜郭熙《窠石平远图》与“三远”](https:\u002F\u002Fwww.dpm.org.cn\u002Fcollection\u002Fpaint\u002F228299.html)\n- [The Metropolitan Museum of Art｜Chinese Handscrolls](https:\u002F\u002Fwww.metmuseum.org\u002Fessays\u002Fchinese-handscrolls)\n- [UNESCO Intangible Cultural Heritage｜Guqin and its Music](https:\u002F\u002Fich.unesco.org\u002Fen\u002FRL\u002Fguqin-and-its-music-00061)\n- [Smithsonian National Museum of Asian Art｜Scientific Studies of Pigments in Chinese Paintings](https:\u002F\u002Fasia.si.edu\u002Fresearch\u002Fpublications\u002Fscientific-studies-of-pigments-in-chinese-paintings\u002F)\n- [人民日报 \u002F 辽宁省博物馆专家｜《千年瑞鹤，一图传世》](https:\u002F\u002Fpaper.people.com.cn\u002Frmrb\u002Fpad\u002Fcontent_30141428.html)\n- [故宫研究院｜王希孟与《千里江山图卷》讲座纪要](https:\u002F\u002Fwww.dpm.org.cn\u002Fresearch_institute\u002Factivity\u002Fdetail\u002F256569.html)\n- [陈丹青《局部》第一季 EP01｜《千里江山图》](https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=wSHc9M6j9vI)\n\n## 本站长文\n\n- 《手卷不是一扇窗》\n- 《一幅画可以署一个名字》\n- 《传统不是一种音色》","只此青绿,深读与参考","06 \u002F 深读与参考","2026-08-18","2026-08-18T02:08:42.933Z","2026-08-17T18:08:42.933Z","2026-08-17T18:08:42.754Z",[419],{"field":108,"targetEntryId":352,"position":110},{"entryId":421,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":422,"title":423,"status":23,"data":424,"revision":429,"publishedAt":430,"createdAt":431,"updatedAt":430,"relations":432},"39fb6a43-22c0-4020-aaa1-aed623aad553","qinglu-store","青绿商店",{"summary":425,"body":426,"seoKeywords":427,"seoDescription":425,"geoSummary":425,"excerpt":425,"author":121,"publishedLabel":414,"publishedAt":428},"一卷山水，住进日常。","一卷山水，住进日常。\n\n从剧场的记忆、矿物的颜色到长卷的纹理，青绿商店收集能被带走的观看方式。部分精选物品可在巡演剧场现场购得；国内官方销售渠道与海外配送信息将随正式上线更新。","只此青绿,青绿商店","2026-08-18T01:47:11.236Z",14,"2026-08-17T17:47:11.236Z","2026-08-09T17:55:20.929Z",[433],{"field":108,"targetEntryId":434,"position":110},"0c12ae47-2a83-4311-81bc-790797649a5a",{"entryId":436,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":55,"title":53,"status":23,"data":437,"revision":429,"publishedAt":442,"createdAt":443,"updatedAt":442,"relations":444},"5591a610-4226-4acd-98de-8ae01f116d7f",{"summary":438,"body":439,"seoKeywords":440,"seoDescription":438,"geoSummary":438,"excerpt":438,"author":121,"publishedLabel":414,"publishedAt":441},"历史最后留下名字，创作却从来发生在人与人之间。","历史最后留下名字，创作却从来发生在人与人之间。\n\n这里保留四个入口：一组长期共同工作的编导，两位把历史与想象交给身体的舞者，以及一位站在今天、替观众打开画卷的人。","只此青绿,艺术家","2026-08-18T01:18:36.582Z","2026-08-17T17:18:36.582Z","2026-08-09T17:55:20.161Z",[445],{"field":108,"targetEntryId":446,"position":110},"7da7d96a-a3f7-4174-9857-aa566034662f",{"entryId":448,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":59,"title":57,"status":23,"data":449,"revision":134,"publishedAt":453,"createdAt":454,"updatedAt":453,"relations":455},"bd0ea44e-3b98-4818-b1dd-815543618155",{"summary":450,"body":451,"seoKeywords":452,"seoDescription":450,"geoSummary":450,"excerpt":450,"author":121},"巡演城市、场次动态、票务提示与演出资讯。","\u003Cp>巡演城市、场次动态、票务提示与演出资讯。\u003C\u002Fp>","只此青绿,全球巡演","2026-08-16T18:54:08.683Z","2026-08-09T17:55:20.419Z",[456],{"field":108,"targetEntryId":457,"position":110},"1d8011db-e208-4571-90a9-2d97c240462f",{"entryId":459,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":50,"title":48,"status":23,"data":460,"revision":134,"publishedAt":463,"createdAt":464,"updatedAt":463,"relations":465},"178f5b66-7349-4c9d-a76a-5d54a134e020",{"summary":461,"body":462,"seoKeywords":398,"seoDescription":461,"geoSummary":461,"excerpt":461,"author":121},"一卷七章，沿着绢、印、石、笔、墨与山水展开。","\u003Cp>一卷七章，沿着绢、印、石、笔、墨与山水展开。\u003C\u002Fp>","2026-08-16T18:54:07.980Z","2026-08-09T17:55:19.858Z",[466],{"field":108,"targetEntryId":178,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"title":469,"description":461,"canonicalUrl":470,"robots":471,"alternates":472,"citationSummary":461,"author":473,"sourceUpdatedAt":473,"questions":474,"breadcrumbs":475,"facts":479},"七个篇章｜只此青绿","https:\u002F\u002Fwww.qinglu.example\u002Fseven-chapters","index, follow",[],null,[],[476,478],{"name":22,"url":477},"https:\u002F\u002Fwww.qinglu.example\u002F",{"name":48,"url":470},{"source":480,"contentType":46,"slug":50},"qinglu-v3-content-seed"]