[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"portal:site-config:en":3,"portal:page:en:all":87,"portal:chapter:en:all":141,"portal:article:en:all":321,"portal:artist:en:all":468,"portal:product_showcase:en:all":549,"portal:seo-meta:en:page:home":656,"portal:media_report:zh:all":668,"portal:media_report:en:all":753,"portal:artist:zh:all":784,"portal:home-shows":807,"portal:chapter:zh:all":816},{"site":4,"profile":18,"navigation":31,"organization":73},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},"b9ae74aa-8f47-42b8-9623-eada97a833f7","740fe456-a6b4-44c3-b846-1d439cbc39c6","d228a57e-d87d-468a-ac1b-576c958920dc","184669fa-f971-4c15-81f6-edb28c74289d","qinglu-cn","qinglu","zh-cn","china","default","UTC",false,"zhiciqinglu.cn","\u002F",{"entryId":19,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":20,"slug":21,"title":22,"status":23,"data":24,"revision":27,"publishedAt":28,"createdAt":29,"updatedAt":28,"relations":30},"e03b98ae-f6a1-4c9b-a5fb-8c383467f5c9","site_profile","singleton","只此青绿","published",{"description":25,"siteName":22,"faviconAssetId":26},"舞蹈诗剧《只此青绿》官方门户","\u002Fuploads\u002F20261013115619_525af8a1d2_omni_webp_q80_500.webp",4,"2026-10-13T03:56:32.871Z","2026-08-04T05:52:02.778Z",[],{"entryId":32,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":33,"slug":34,"title":35,"status":23,"data":36,"revision":68,"publishedAt":69,"createdAt":70,"updatedAt":71,"relations":72},"869be1bb-d8fb-41a4-8b19-1a9bb9977c53","navigation","primary","主导航",{"location":34,"items":37},[38,42,47,52,56,60,64],{"label":39,"href":17,"categorySlug":40,"modelType":41},"首页","home","page",{"label":43,"href":44,"categorySlug":45,"modelType":46},"看懂青绿","\u002Funderstand-qinglu","understand-qinglu","article",{"label":48,"href":49,"categorySlug":50,"modelType":51},"七个篇章","\u002Fseven-chapters","seven-chapters","chapter",{"label":53,"href":54,"categorySlug":55,"modelType":46},"艺术家","\u002Fartists","artists",{"label":57,"href":58,"categorySlug":59,"modelType":46},"全球巡演","\u002Fglobal-tour","global-tour",{"label":61,"href":62,"categorySlug":63,"modelType":46},"千场之路","\u002Fthousand-performances","thousand-performances",{"label":65,"href":66,"categorySlug":67,"modelType":41},"巡演合作","\u002Ftour-cooperation","tour-cooperation",6,"2026-08-17T04:33:58.762Z","2026-08-07T02:55:37.514Z","2026-08-23T18:08:12.281Z",[],{"entryId":74,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":75,"slug":21,"title":76,"status":23,"data":77,"revision":83,"publishedAt":84,"createdAt":85,"updatedAt":84,"relations":86},"f5128040-67e0-490f-9646-dd1416fe334f","organization_profile","公司信息",{"legalName":78,"socialLinks":79},"中国东方演艺集团有限公司",[80],{"platform":81,"url":82},"Instagram","https:\u002F\u002Fwww.jquan.win",2,"2026-08-23T18:50:41.371Z","2026-08-23T18:50:35.293Z",[],{"entries":88,"site":140},[89,111,126],{"entryId":90,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":40,"title":22,"status":23,"data":91,"revision":103,"publishedAt":104,"createdAt":105,"updatedAt":104,"relations":106},"be65e222-606d-4810-b32f-fa397ad7ae40",{"hero":92,"author":96,"publishedAt":97,"seoKeywords":98,"seoDescription":99,"geoSummary":99,"summary":99,"body":99,"heroPosterUrl":100,"heroVideoUrl":101,"template":102},{"version":93,"source":94,"locale":95},"v3","qinglu-v3-demo","zh-CN","administrator:codex-page-category-backfill","2026-08-24T06:19:00.000Z","只此青绿,只此青绿","舞蹈诗剧《只此青绿》国际官方网站","\u002Fuploads\u002F20260824150918_3e033b1a48_omni_webp_q80_1920.webp","\u002Fuploads\u002F20260824141922_6fea0802e2.mp4","v3-home",20,"2026-08-23T23:09:49.962Z","2026-08-04T05:51:24.832Z",[107],{"field":108,"targetEntryId":109,"position":110},"categories","2e3f0980-339b-4314-81ef-68aecc0afe56",0,{"entryId":112,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":113,"title":114,"status":23,"data":115,"revision":83,"publishedAt":123,"createdAt":124,"updatedAt":123,"relations":125},"debd736f-a4d8-433d-8218-643ed9eb3a4d","scroll-beginning","一卷之始",{"summary":116,"body":117,"seoKeywords":118,"seoDescription":116,"geoSummary":116,"template":119,"hero":120,"author":121,"publishedAt":122},"从一个当代研究者独自站在画前的夜晚开始。灯暗下去，画卷打开。","\u003Cp>北宋末年，\u003Cbr>一个十八岁的年轻画家留下《千里江山图》，\u003Cbr>也几乎只留下这一卷。\u003Cbr>蔡京的题跋替我们保存了“希孟”这个名字；\u003Cbr>更完整的人生，却很快沉入史料的空白。\u003C\u002Fp>\u003Cp>《只此青绿》从今天的一次展卷开始。\u003Cbr>面对长卷的故宫博物院研究员，\u003Cbr>沿着绢、笔、墨、矿石与印章，\u003Cbr>走向画面背后更辽阔的时间，\u003Cbr>也走向那些没有进入画史的劳动者。\u003C\u002Fp>\u003Cp>舞台往返于两种时间：\u003Cbr>一边是被保存下来的作品，\u003Cbr>一边是再也无法追回的人。\u003Cbr>它不替历史补写传记，\u003Cbr>只让一件作品如何诞生、如何被珍藏，\u003Cbr>又如何在九百多年后重新来到我们面前，变得可以感受。\u003C\u002Fp>","只此青绿,一卷之始","home-story",{"version":93,"source":94,"locale":95},"jquan:qinglu-v3-content-seed","2026-08-18T08:51:28.000Z","2026-08-18T00:51:28.000Z","2026-08-18T00:51:27.662Z",[],{"entryId":127,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":41,"slug":67,"title":65,"status":23,"data":128,"revision":134,"publishedAt":135,"createdAt":136,"updatedAt":135,"relations":137},"da4640e8-5a1b-4933-9c4d-d3db841475f5",{"summary":129,"body":130,"seoKeywords":131,"seoDescription":129,"geoSummary":129,"template":132,"hero":133,"author":96},"巡演合作、商务洽谈、城市引进与表单线索入口。","\u003Cp>巡演合作、商务洽谈、城市引进与表单线索入口。\u003C\u002Fp>","只此青绿,巡演合作","page-cooperation",{"version":93,"source":94,"locale":95},12,"2026-08-09T18:21:58.950Z","2026-08-07T17:12:08.463Z",[138],{"field":108,"targetEntryId":139,"position":110},"4feda127-b49c-4726-8fc1-fc00351bac79",{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":142,"site":320},[143,179,206,229,251,274,296],{"entryId":144,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":145,"title":146,"status":23,"data":147,"revision":68,"publishedAt":174,"createdAt":175,"updatedAt":174,"relations":176},"160be77f-7f2f-4cd4-9ebe-f1547edd1fb2","chapter-7","入画",{"chapter_number":148,"subtitle":149,"summary":150,"image_asset_path":151,"body":150,"guide_items":152},7,"Into the Painting","画者搁笔。今人抬头。九百年，如一卷合上。","\u002Fuploads\u002Fqinglu-chapter-07-q80.webp",[153,159,164,169],{"key":154,"eyebrow":155,"title":156,"content":157,"defaultOpen":158},"who-appears","WHO APPEARS","人物","*希孟 —— 画家，也是此前所有材料与无名劳作抵达的地方。*",true,{"key":160,"eyebrow":161,"title":162,"content":163,"defaultOpen":15},"the-making","THE MAKING","制作汇合","绢已经织成，笔与墨已经准备，矿石已经成为颜色。到这里，年轻的画家才真正落笔。张翰塑造希孟时把第一个问题定得很具体：怎样让观众相信眼前是一个画家，而不是一个正在\"表演画家\"的舞者？于是，持笔、落笔、停笔与长时间独处的专注，比炫技更重要。",{"key":165,"eyebrow":166,"title":167,"content":168,"defaultOpen":15},"why-it-matters","WHY IT MATTERS","这一章为什么必须最后出现","七章把\"天才少年完成名画\"的单线故事重新打开。希孟仍然重要，却不再孤立：在他落笔以前，材料知识、工艺传统与许多没有留下姓名的劳动早已在场。",{"key":170,"eyebrow":171,"title":172,"content":173,"defaultOpen":15},"on-stage","ON STAGE","舞台转译","此前的人物、材料与动作重新汇入舞台。画不再只是背景；它成为许多没有署名的生命与劳动暂时聚合出的结果。","2026-08-17T04:34:00.840Z","2026-08-09T17:55:24.006Z",[177],{"field":108,"targetEntryId":178,"position":110},"d1525af1-1cb2-4345-9631-3e2bdd005371",{"entryId":180,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":181,"title":182,"status":23,"data":183,"revision":68,"publishedAt":202,"createdAt":203,"updatedAt":202,"relations":204},"1130a091-0ee7-4e67-87a9-eac6beee5bd5","chapter-6","淬墨",{"chapter_number":68,"subtitle":184,"summary":185,"image_asset_path":186,"body":185,"guide_items":187},"Grinding the Ink","烟、胶，与时间。墨不是买来的，是磨出来的——慢得像一个人的一生。","\u002Fuploads\u002Fqinglu-chapter-06-q80.webp",[188,190,195,200],{"key":154,"eyebrow":155,"title":156,"content":189,"defaultOpen":158},"*制墨人 —— 烟、胶、汗水与年复一年的重复。*",{"key":191,"eyebrow":192,"title":193,"content":194,"defaultOpen":15},"the-craft","THE CRAFT","工艺","制墨，不是文人案前研墨的那一刻。炼烟、取烟、熬胶、和料、捶打、揉捻、成型、翻晒，每一道都带着重量、温度与时间。制墨人的身体先带着劳动留下的质地：双手持续劳作，汗水与重复先于漂亮的造型。",{"key":196,"eyebrow":197,"title":198,"content":199,"defaultOpen":15},"why-the-painting-needs-it","WHY THE PAINTING NEEDS IT","为什么青绿山水仍需要墨","青绿山水从来不只有蓝和绿，也不宜概括成\"先完成墨线骨架，再覆盖矿物色\"的单一路径。勾勒、皴染、墨色、赭色与青绿矿物设色可以彼此穿插、层叠，共同建立山石、树木、水纹与空间。对于《千里江山图》具体颜料层的先后关系，应以文物技术研究为准。可以确定的是：矿物色的华丽没有取消笔墨结构，二者共同构成这卷画的力量。",{"key":170,"eyebrow":171,"title":172,"content":201,"defaultOpen":15},"舞台把捶、揉、研与反复翻晒的力量组织成厚重、重复的节奏；墨色不是青绿的反面，而是与青绿共同建立山石与空间的另一层结构。","2026-08-17T04:34:00.565Z","2026-08-09T17:55:23.765Z",[205],{"field":108,"targetEntryId":178,"position":110},{"entryId":207,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":208,"title":209,"status":23,"data":210,"revision":68,"publishedAt":225,"createdAt":226,"updatedAt":225,"relations":227},"07b7e0d7-4a3d-429a-9381-3986f24a3a97","chapter-5","习笔",{"chapter_number":211,"subtitle":212,"summary":213,"image_asset_path":214,"body":213,"guide_items":215},5,"Making the Brush","千万根毫，一根一根拣出来。只为落笔那一瞬，不虚。","\u002Fuploads\u002Fqinglu-chapter-05-q80.webp",[216,218,220,223],{"key":154,"eyebrow":155,"title":156,"content":217,"defaultOpen":158},"*制笔人 —— 最安静的工匠之一。*",{"key":191,"eyebrow":192,"title":193,"content":219,"defaultOpen":15},"传统制笔工匠的双手长期浸水，劳作甚至会留下肿胀；成百上千根毫毛要被反复挑选、理齐、分层、扎束，任何急躁都会留在最后的笔锋里。这个人物的力量不来自大幅度动作，而来自耐心、精度与韧劲。",{"key":196,"eyebrow":197,"title":221,"content":222,"defaultOpen":15},"为什么线条先取决于工具","毛笔决定一条线如何起、行、转、收，也决定水与墨怎样被带进绢纤维。画中的一笔既属于希孟，也属于那支笔，以及把毫毛一根根理齐的人。",{"key":170,"eyebrow":171,"title":172,"content":224,"defaultOpen":15},"演员为这一章学习到足以实际做出一支毛笔的程度。舞台上的聚、散、提、按因此不是工艺示意图，而是理解工艺以后留在身体里的节奏与方向。","2026-08-17T04:34:00.273Z","2026-08-09T17:55:23.498Z",[228],{"field":108,"targetEntryId":178,"position":110},{"entryId":230,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":231,"title":232,"status":23,"data":233,"revision":68,"publishedAt":247,"createdAt":248,"updatedAt":247,"relations":249},"82962863-bb64-4595-bcf4-df0b9263c4ca","chapter-4","寻石",{"chapter_number":27,"subtitle":234,"summary":235,"image_asset_path":236,"body":235,"guide_items":237},"Pursuing the Stone","总要有人走进山里，把一种颜色背下来。","\u002Fuploads\u002Fqinglu-chapter-04-q80.webp",[238,240,242,245],{"key":154,"eyebrow":155,"title":156,"content":239,"defaultOpen":158},"*磨石人 —— 一生在路与杵臼之间。*",{"key":191,"eyebrow":192,"title":193,"content":241,"defaultOpen":15},"他先入山辨石，再把矿物带回，敲碎、研磨、淘洗、分级。这个人物没有炼金术士的神秘；他更像一个把一生交给石头、粉尘、路途和重复劳动的人。外表质朴，动作不求炫目，真正的分量来自把同一件事越做越深。",{"key":196,"eyebrow":197,"title":243,"content":244,"defaultOpen":15},"为什么\"青绿\"首先是石头","石青与石绿的价值不只在色相。蓝铜矿、孔雀石等矿料经过选择、粉碎、研磨、淘洗与分级，才能成为适合绘画的矿物颜料；不同粒度与叠加方式会改变颜色的覆盖与光泽。《千里江山图》以大面积矿物设色形成极强的视觉存在，也让通常无名的材料劳动进入作品。",{"key":170,"eyebrow":171,"title":172,"content":246,"defaultOpen":15},"舞台把负重、行走、拾取、敲击与研磨的反复性留在身体里；山色从来不是\"凭空出现\"的。","2026-08-17T04:33:59.965Z","2026-08-09T17:55:23.256Z",[250],{"field":108,"targetEntryId":178,"position":110},{"entryId":252,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":253,"title":254,"status":23,"data":255,"revision":68,"publishedAt":270,"createdAt":271,"updatedAt":270,"relations":272},"aeca75d4-1648-468d-84d8-158939fb6269","chapter-3","唱丝",{"chapter_number":256,"subtitle":257,"summary":258,"image_asset_path":259,"body":258,"guide_items":260},3,"Reeling the Silk","未有画时，先有绢。绢之前，是沸水，是彻夜不眠的手，是比念头更细的一缕丝。","\u002Fuploads\u002Fqinglu-chapter-03-q80.webp",[261,263,265,268],{"key":154,"eyebrow":155,"title":156,"content":262,"defaultOpen":158},"*织绢人 —— 她们先于画家，把一片\"空白\"织出来。*",{"key":191,"eyebrow":192,"title":193,"content":264,"defaultOpen":15},"从桑叶养蚕、结茧缫丝，到经纬织造与整理，这是一种漫长、细密、几乎没有英雄时刻的劳动。人物长期与丝、水、经纬和张力相处，身体因此需要连续、耐心，对细小变化极其敏感。",{"key":196,"eyebrow":197,"title":266,"content":267,"defaultOpen":15},"为什么画从绢开始","绘画用绢从来不是一块天然、无历史的白布。织造密度、丝线张力与表面处理都会改变墨与颜色如何停留。传统书画绢常涉及施胶、用矾等工序；《千里江山图》原始绢本的具体配方仍需以本卷技术研究为准。\n\n画家的\"第一笔\"落下以前，绢面已经经过许多人的劳作。",{"key":170,"eyebrow":171,"title":172,"content":269,"defaultOpen":15},"丝的牵引、缠绕与张力进入群舞；流动不只是\"像丝\"，而来自手艺中持续不断、不能骤然断开的节奏。","2026-08-17T04:33:59.689Z","2026-08-09T17:55:23.018Z",[273],{"field":108,"targetEntryId":178,"position":110},{"entryId":275,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":276,"title":277,"status":23,"data":278,"revision":68,"publishedAt":292,"createdAt":293,"updatedAt":292,"relations":294},"3564ffd1-bf12-474f-96db-95c43537ca61","chapter-2","问篆",{"chapter_number":83,"subtitle":279,"summary":280,"image_asset_path":281,"body":280,"guide_items":282},"Tracing the Seal","凡经手者，皆留一印。他一枚一枚地问：是谁来过。","\u002Fuploads\u002Fqinglu-chapter-02-q80.webp",[283,285,287,290],{"key":154,"eyebrow":155,"title":156,"content":284,"defaultOpen":158},"*篆刻人 —— 案前极静，刀下极重。*",{"key":191,"eyebrow":192,"title":193,"content":286,"defaultOpen":15},"篆刻通常需要把印文反向处理，再以刀入石。人物的力量不是外放，而是\"粗中有细\"：刻刀向下吃进石面，腕与肩必须稳，视线始终锁在小小石面上。真实的篆刻劳动让这个人显得安静、专注、近乎固执；刀却从未真正停下。",{"key":165,"eyebrow":166,"title":288,"content":289,"defaultOpen":15},"印章与画卷的流传","问篆并不是在说\"没有印章就不能画画\"。它谈的是名字怎样进入作品，也谈一件手卷怎样在后世不断积累观看与收藏的痕迹。《千里江山图》本幅无作者名款，\"希孟\"主要由卷后题跋留下；此后画卷又不断获得鉴藏印章与题跋。印章于是连接作者、收藏者、观看者与流传的时间。",{"key":170,"eyebrow":171,"title":172,"content":291,"defaultOpen":15},"舞台把刻刀的下压力、顿点与短促转向变成身体节奏：幅度可以很小，力量却必须真正落下。","2026-08-17T04:33:59.348Z","2026-08-09T17:55:22.742Z",[295],{"field":108,"targetEntryId":178,"position":110},{"entryId":297,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":298,"title":299,"status":23,"data":300,"revision":68,"publishedAt":316,"createdAt":317,"updatedAt":316,"relations":318},"a3130155-2ad4-414c-96a2-519d51f47bc9","chapter-1","展卷",{"chapter_number":301,"subtitle":302,"summary":303,"image_asset_path":304,"body":303,"guide_items":305},1,"Unfolding the Scroll","他读了这幅画一生。今夜，他走了进去。","\u002Fuploads\u002Fqinglu-chapter-01-q80.webp",[306,308,311,314],{"key":154,"eyebrow":155,"title":156,"content":307,"defaultOpen":158},"*展卷人 —— 一位当代故宫博物院研究员。*",{"key":191,"eyebrow":192,"title":309,"content":310,"defaultOpen":15},"工作","面对一件脆弱而漫长的原作，文博研究的身体习惯先于戏剧动作出现：靠近以前先停，展卷轻缓，动作细小而准确。他不是穿越故事的向导，而是一个知道\"不能随便碰\"的人。",{"key":165,"eyebrow":166,"title":312,"content":313,"defaultOpen":15},"为什么它属于故事","今天的研究、保存与展陈，是这幅画继续抵达观众的条件。舞剧因此先从一个当代人的谨慎开始，再向古代制作的过去行进。",{"key":170,"eyebrow":171,"title":172,"content":315,"defaultOpen":15},"创作团队曾请研究《千里江山图》的故宫博物院研究人员进入排练，示范手卷如何轻柔地展开、停留与卷回。展卷人的谨慎因此不是\"文人气质\"的想象，而来自真实的文博工作尺度。","2026-08-17T04:33:59.047Z","2026-08-09T17:55:22.531Z",[319],{"field":108,"targetEntryId":178,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":322,"site":467},[323,338,353,367,380,393,406,420,435,447,458],{"entryId":324,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":63,"title":61,"status":23,"data":325,"revision":332,"publishedAt":333,"createdAt":334,"updatedAt":333,"relations":335},"ce6455ac-96f3-4766-aa63-e157158999a5",{"author":121,"publishedAt":326,"seoKeywords":327,"seoDescription":328,"geoSummary":328,"summary":328,"body":329,"excerpt":328,"coverAssetId":330,"publishedLabel":331},"2026-08-26T06:27:00.000Z","只此青绿,千场之路","从首演到第一千场的时间线。","今年十月的一个夜晚，在北京，\n在那座二〇〇八年全世界都看着的建筑里，\n这部作品将迎来它的第一千场。\n\n一千个夜晚。八十座城市。五大洲。\n同样的山，在一群从没听说过它们的人面前，\n一次又一次地站起来。\n\n第 1000 场不是一段旅程的终点。\n它是另一段旅程的起点。","\u002Fuploads\u002F20260826142624_92189ab586_omni_webp_q80_1920.webp","2026-08-26",18,"2026-08-26T01:06:41.060Z","2026-08-09T17:55:20.661Z",[336],{"field":108,"targetEntryId":337,"position":110},"cb2bf525-7446-483a-b7da-8800fa602d2d",{"entryId":339,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":340,"title":341,"status":23,"data":342,"revision":134,"publishedAt":348,"createdAt":349,"updatedAt":348,"relations":350},"fe7dc3c8-dc17-4030-92f1-09824440cf23","question-01","入场之前",{"summary":343,"body":343,"seoKeywords":344,"seoDescription":343,"geoSummary":343,"subtitle":345,"excerpt":343,"author":121,"publishedLabel":346,"publishedAt":347},"展卷人、希孟、青绿。九十秒，认识连接两重时间的三个人物。","只此青绿,入场之前","01 \u002F 入场之前","2026-08-17","2026-08-17T12:37:30.153Z","2026-08-17T18:08:44.467Z","2026-08-16T18:54:07.547Z",[351],{"field":108,"targetEntryId":352,"position":110},"a30aff93-e6a2-4c96-827b-9bb3c39289d1",{"entryId":354,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":355,"title":356,"status":23,"data":357,"revision":362,"publishedAt":363,"createdAt":364,"updatedAt":363,"relations":365},"41067ec9-629a-405f-8e92-cdcb1d66e2bf","question-02","宋与画卷",{"summary":358,"body":358,"seoKeywords":359,"seoDescription":358,"geoSummary":358,"subtitle":360,"excerpt":358,"author":121,"publishedLabel":346,"publishedAt":361},"宋徽宗、希孟、《瑞鹤图》与《千里江山图》；再看矿物色和手卷如何把空间变成时间。","只此青绿,宋与画卷","02 \u002F 宋与画卷","2026-08-17T12:37:29.878Z",11,"2026-08-17T18:08:44.175Z","2026-08-16T18:54:07.230Z",[366],{"field":108,"targetEntryId":352,"position":110},{"entryId":368,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":369,"title":370,"status":23,"data":371,"revision":362,"publishedAt":376,"createdAt":377,"updatedAt":376,"relations":378},"b3943f4c-6f55-40f0-be56-c0358354cf0c","question-03","从画到舞",{"summary":372,"body":372,"seoKeywords":373,"seoDescription":372,"geoSummary":372,"subtitle":374,"excerpt":372,"author":121,"publishedLabel":346,"publishedAt":375},"画中的青绿山势怎样被重新组织为动作；重量、倾斜、停驻与群体关系如何让身体具有山的尺度。","只此青绿,从画到舞","03 \u002F 从画到舞","2026-08-17T12:37:29.527Z","2026-08-17T18:08:43.841Z","2026-08-16T18:54:06.988Z",[379],{"field":108,"targetEntryId":352,"position":110},{"entryId":381,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":382,"title":383,"status":23,"data":384,"revision":362,"publishedAt":389,"createdAt":390,"updatedAt":389,"relations":391},"83529f6a-cdee-486e-a946-6f398d65d1d9","question-04","方寸之间",{"summary":385,"body":385,"seoKeywords":386,"seoDescription":385,"geoSummary":385,"subtitle":387,"excerpt":385,"author":121,"publishedLabel":346,"publishedAt":388},"近十二米的山水，最终落在一方舞台。空间、服装、色彩、音乐、妆造与灯光彼此成全，也彼此克制，才让千里江山在有限空间里有了呼吸。","只此青绿,方寸之间","04 \u002F 方寸之间","2026-08-17T12:37:29.228Z","2026-08-17T18:08:43.549Z","2026-08-16T18:54:06.697Z",[392],{"field":108,"targetEntryId":352,"position":110},{"entryId":394,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":395,"title":48,"status":23,"data":396,"revision":401,"publishedAt":402,"createdAt":403,"updatedAt":402,"relations":404},"b54588dc-4d26-4ebf-94cd-cab031f74e13","question-05",{"summary":397,"body":397,"seoKeywords":398,"seoDescription":397,"geoSummary":397,"subtitle":399,"excerpt":397,"author":121,"publishedLabel":346,"publishedAt":400},"从展卷到入画，七章让观众认识一幅青绿山水在落笔以前需要哪些人、材料与手艺，也让那些没有留下姓名的劳动进入叙事。","只此青绿,七个篇章","05 \u002F 七个篇章","2026-08-17T12:37:28.970Z",13,"2026-08-17T18:08:43.257Z","2026-08-16T18:54:06.383Z",[405],{"field":108,"targetEntryId":352,"position":110},{"entryId":407,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":408,"title":409,"status":23,"data":410,"revision":83,"publishedAt":416,"createdAt":417,"updatedAt":416,"relations":418},"f25393de-1ef7-4b8c-b191-0edb87928e43","question-06","深读与参考",{"summary":411,"body":411,"seoKeywords":412,"seoDescription":411,"geoSummary":411,"subtitle":413,"excerpt":411,"author":121,"publishedLabel":414,"publishedAt":415},"从舞台继续向外读：手卷怎样改变观看，无名劳动怎样进入一件杰作，传统乐器又怎样在今天重新获得声音。这里汇集可以直接打开的博物馆、艺术史与音乐史资料。\n\n## 外部阅读\n\n- [故宫博物院｜王希孟《千里江山图》卷](https:\u002F\u002Fwww.dpm.org.cn\u002Fcollection\u002Fpaint\u002F228354.html)\n- [故宫博物院｜“千里江山”专题 \u002F 青绿山水相关研究](https:\u002F\u002Fwww.dpm.org.cn\u002Fsubject_rivsmounts\u002Fqljs\u002F245996.html)\n- [故宫博物院｜郭熙《窠石平远图》与“三远”](https:\u002F\u002Fwww.dpm.org.cn\u002Fcollection\u002Fpaint\u002F228299.html)\n- [The Metropolitan Museum of Art｜Chinese Handscrolls](https:\u002F\u002Fwww.metmuseum.org\u002Fessays\u002Fchinese-handscrolls)\n- [UNESCO Intangible Cultural Heritage｜Guqin and its Music](https:\u002F\u002Fich.unesco.org\u002Fen\u002FRL\u002Fguqin-and-its-music-00061)\n- [Smithsonian National Museum of Asian Art｜Scientific Studies of Pigments in Chinese Paintings](https:\u002F\u002Fasia.si.edu\u002Fresearch\u002Fpublications\u002Fscientific-studies-of-pigments-in-chinese-paintings\u002F)\n- [人民日报 \u002F 辽宁省博物馆专家｜《千年瑞鹤，一图传世》](https:\u002F\u002Fpaper.people.com.cn\u002Frmrb\u002Fpad\u002Fcontent_30141428.html)\n- [故宫研究院｜王希孟与《千里江山图卷》讲座纪要](https:\u002F\u002Fwww.dpm.org.cn\u002Fresearch_institute\u002Factivity\u002Fdetail\u002F256569.html)\n- [陈丹青《局部》第一季 EP01｜《千里江山图》](https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=wSHc9M6j9vI)\n\n## 本站长文\n\n- 《手卷不是一扇窗》\n- 《一幅画可以署一个名字》\n- 《传统不是一种音色》","只此青绿,深读与参考","06 \u002F 深读与参考","2026-08-18","2026-08-18T02:08:42.933Z","2026-08-17T18:08:42.933Z","2026-08-17T18:08:42.754Z",[419],{"field":108,"targetEntryId":352,"position":110},{"entryId":421,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":422,"title":423,"status":23,"data":424,"revision":429,"publishedAt":430,"createdAt":431,"updatedAt":430,"relations":432},"39fb6a43-22c0-4020-aaa1-aed623aad553","qinglu-store","青绿商店",{"summary":425,"body":426,"seoKeywords":427,"seoDescription":425,"geoSummary":425,"excerpt":425,"author":121,"publishedLabel":414,"publishedAt":428},"一卷山水，住进日常。","一卷山水，住进日常。\n\n从剧场的记忆、矿物的颜色到长卷的纹理，青绿商店收集能被带走的观看方式。部分精选物品可在巡演剧场现场购得；国内官方销售渠道与海外配送信息将随正式上线更新。","只此青绿,青绿商店","2026-08-18T01:47:11.236Z",14,"2026-08-17T17:47:11.236Z","2026-08-09T17:55:20.929Z",[433],{"field":108,"targetEntryId":434,"position":110},"0c12ae47-2a83-4311-81bc-790797649a5a",{"entryId":436,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":55,"title":53,"status":23,"data":437,"revision":429,"publishedAt":442,"createdAt":443,"updatedAt":442,"relations":444},"5591a610-4226-4acd-98de-8ae01f116d7f",{"summary":438,"body":439,"seoKeywords":440,"seoDescription":438,"geoSummary":438,"excerpt":438,"author":121,"publishedLabel":414,"publishedAt":441},"历史最后留下名字，创作却从来发生在人与人之间。","历史最后留下名字，创作却从来发生在人与人之间。\n\n这里保留四个入口：一组长期共同工作的编导，两位把历史与想象交给身体的舞者，以及一位站在今天、替观众打开画卷的人。","只此青绿,艺术家","2026-08-18T01:18:36.582Z","2026-08-17T17:18:36.582Z","2026-08-09T17:55:20.161Z",[445],{"field":108,"targetEntryId":446,"position":110},"7da7d96a-a3f7-4174-9857-aa566034662f",{"entryId":448,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":59,"title":57,"status":23,"data":449,"revision":134,"publishedAt":453,"createdAt":454,"updatedAt":453,"relations":455},"bd0ea44e-3b98-4818-b1dd-815543618155",{"summary":450,"body":451,"seoKeywords":452,"seoDescription":450,"geoSummary":450,"excerpt":450,"author":121},"巡演城市、场次动态、票务提示与演出资讯。","\u003Cp>巡演城市、场次动态、票务提示与演出资讯。\u003C\u002Fp>","只此青绿,全球巡演","2026-08-16T18:54:08.683Z","2026-08-09T17:55:20.419Z",[456],{"field":108,"targetEntryId":457,"position":110},"1d8011db-e208-4571-90a9-2d97c240462f",{"entryId":459,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":46,"slug":50,"title":48,"status":23,"data":460,"revision":134,"publishedAt":463,"createdAt":464,"updatedAt":463,"relations":465},"178f5b66-7349-4c9d-a76a-5d54a134e020",{"summary":461,"body":462,"seoKeywords":398,"seoDescription":461,"geoSummary":461,"excerpt":461,"author":121},"一卷七章，沿着绢、印、石、笔、墨与山水展开。","\u003Cp>一卷七章，沿着绢、印、石、笔、墨与山水展开。\u003C\u002Fp>","2026-08-16T18:54:07.980Z","2026-08-09T17:55:19.858Z",[466],{"field":108,"targetEntryId":178,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":469,"site":548},[470,494,511,528],{"entryId":471,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":473,"title":474,"status":23,"data":475,"revision":488,"publishedAt":489,"createdAt":490,"updatedAt":491,"relations":492},"883e7643-6cfc-4020-8177-cf860e9e265f","artist","meng-qingyang","孟庆旸",{"entity_type":476,"group":477,"order":83,"layout":478,"profile_status":23,"profile_url":479,"name":474,"role":480,"quote":481,"body":482,"biography":483,"image_asset_path":484,"portraitAssetId":484,"image_alt":485,"image_guidance":486,"image":487},"person","company","portrait","\u002Fartists\u002Fmeng-qingyang","饰 青绿","技巧退到看不见的地方，身体承受山的气度，青绿才真正留下。","“青绿”最难的，不是把后仰做到极限，而是让技巧退到看不见的地方。真正留在记忆里的，是山势、时间与人物，而不是一次炫目的下腰。\n\n孟庆旸把重心往下压，把目光往内收，也刻意减少那种直接向观众索取回应的表情与动作。她追求的不是“小女儿式”的柔媚，而是“我见青山多妩媚”里带着英气的美：冷冽、险峻、安静，却并不薄情。\n\n这也是为什么青绿可以在最强的音乐里进入最慢的动作。身体越接近失衡，实际控制越不能松；动作越少向外解释，山石的坚硬、人物的情感与漫长的时间反而越能叠在一起。她不是把山“表演”出来，而是让自己的身体暂时承受山的气度。","孟庆旸毕业于北京舞蹈学院，现为中国东方演艺集团舞者。她接受系统的中国古典舞训练，曾在“桃李杯”等专业舞蹈赛事中获得表演奖项，并参与《茉莉》等舞台作品。自 2021 年《只此青绿》首演起，她一直是“青绿”最具代表性的主演之一。她的表演以细密的重量控制、长时值动作中的稳定性、内收的目光与清晰的身体线条见长，“青绿”也成为她最具国际辨识度的舞台角色之一。","","孟庆旸肖像","人物首图优先清晰肖像或青绿角色近中景。动作页已突出青绿腰，本页宜选择垂眸、静待、望月或其他角色气质成立的画面，避免重复使用同一极限后仰定格。",{"src":484,"alt":485},9,"2026-08-17T17:21:28.961Z","2026-08-09T17:55:21.736Z","2026-08-21T21:54:29.578Z",[493],{"field":108,"targetEntryId":446,"position":110},{"entryId":495,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":496,"title":497,"status":23,"data":498,"revision":488,"publishedAt":507,"createdAt":508,"updatedAt":491,"relations":509},"416df9c4-e6bb-4281-8ec8-c0bed2c93929","xie-suhao","谢素豪",{"entity_type":476,"group":477,"order":27,"layout":478,"profile_status":23,"profile_url":499,"name":497,"role":500,"quote":501,"body":502,"biography":503,"image_asset_path":484,"portraitAssetId":484,"image_alt":504,"image_guidance":505,"image":506},"\u002Fartists\u002Fxie-suhao","饰 展卷人","他站在今天，以研究者的克制打开长卷，也把观看的位置留给观众。","展卷人站在今天。他不是旁白，也不承担替观众解释古代的职责；他是整部舞剧连接今日观看与古代想象的戏剧支点。\n\n展卷人是一位当代故宫博物院研究员。《千里江山图》藏于故宫，因此，他的动作首先遵循文博工作的分寸：小、准、慎，接近原作之前总有停顿。谢素豪要同时维持两种状态——一边是研究者面对文物的克制，一边是一个现代人逐渐向希孟产生的情感靠近。\n\n从舞剧结构看，他的当代身体与希孟的古代身体彼此对照，使九百多年的时间差成为可以被看见的舞台关系。他不替观众解释一切；他把卷打开，也把观看的位置让出来。","谢素豪毕业于北京舞蹈学院中国古典舞系，现为中国东方演艺集团舞者。除了舞蹈作品，他也参与音乐、舞蹈与戏剧表演交融的跨界创作，包括音乐剧场《我们的爱情故事》，以及《中国的脚步》《国色》《东方之爱》《春江花月夜》等。曾获第九届“桃李杯”舞蹈大赛优秀表演奖。自《只此青绿》首演以来，他一直是“展卷人”的代表性主演之一，在文博工作的谨慎尺度与一个现代人向希孟逐渐靠近的情感之间保持分寸。","谢素豪肖像","优先清晰肖像，以及展卷人面对长卷、手套、展阅或研究行为的剧照。画面应显示现代研究者的专业身份及其与古代画卷的距离，不要把他处理成古代文人。",{"src":484,"alt":504},"2026-08-17T17:21:29.579Z","2026-08-09T17:55:22.219Z",[510],{"field":108,"targetEntryId":446,"position":110},{"entryId":512,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":513,"title":514,"status":23,"data":515,"revision":488,"publishedAt":524,"createdAt":525,"updatedAt":491,"relations":526},"c5695853-7ae4-494a-9cd9-8065a81fb0c7","zhang-han","张翰",{"entity_type":476,"group":477,"order":256,"layout":478,"profile_status":23,"profile_url":516,"name":514,"role":517,"quote":518,"body":519,"biography":520,"image_asset_path":484,"portraitAssetId":484,"image_alt":521,"image_guidance":522,"image":523},"\u002Fartists\u002Fzhang-han","饰 希孟","史料没有替演员写好人物，他用排练的时间与孤独，靠近十八岁的希孟。","关于希孟，可靠史料只留下很短的几行。对演员来说，空白不是自由发挥的许可证，而是一种更苛刻的要求：没有传记替他解释人物，他只能从“一个十八岁的画家怎样工作”开始靠近。\n\n张翰为这个角色查阅资料、购买书籍，也把排练厅变成一段只有自己知道的时间。他曾经常独自留到深夜十一二点。不是为了模拟一个九百多年前的夜晚——那样的夜晚已经无法复原——而是让疲惫、安静与长时间独处真正改变自己的状态，去体会一个十八岁年轻人在近半年的密集创作中，可能承受过的专注与孤独。\n\n他给自己的标准始终很朴素：要让观众先相信眼前是一个画家，而不是一个正在展示技巧的舞者。于是，执笔怎样开始，躯干怎样靠近案面，动作何时中断，长时间专注怎样改变呼吸与速度，都比炫技更重要。\n\n史料没有替演员写好人物。张翰只能用时间靠近时间，用自己的孤独，去触碰一个已经无从知晓的孤独。","张翰毕业于北京舞蹈学院中国民族民间舞系，现为中国东方演艺集团舞者，是《只此青绿》中希孟最具代表性的主演之一。他曾在韩国首尔国际舞蹈比赛、北京国际芭蕾舞暨编舞比赛以及“桃李杯”等专业赛事与展演中获奖，代表舞台作品包括《逐影寻声》《醉忆生声》《破茧》《蝶恋花》《念去去》《原心》《安吉利诺》等。在《只此青绿》中，他从“做画”这一具体行动建立希孟，让少年感、专注与创作压力从动作任务中生长，而不是依靠后世传奇替人物填空。","张翰肖像","优先清晰肖像，以及希孟与笔、画案、独处或创作状态相关的剧照或视频帧。比起腾跃大动作，更需要让观众相信这是画家；不要使用无法辨认角色的群舞远景。",{"src":484,"alt":521},"2026-08-17T17:21:29.261Z","2026-08-09T17:55:21.969Z",[527],{"field":108,"targetEntryId":446,"position":110},{"entryId":529,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":530,"title":531,"status":23,"data":532,"revision":488,"publishedAt":544,"createdAt":545,"updatedAt":491,"relations":546},"e23c9096-4828-480a-ab44-9384cfe0ee84","zhou-liya-han-zhen","周莉亚 & 韩真",{"entity_type":533,"group":534,"order":301,"layout":535,"profile_status":23,"profile_url":536,"name":531,"role":537,"quote":538,"body":539,"biography":540,"image_asset_path":484,"portraitAssetId":484,"image_alt":541,"image_guidance":542,"image":543},"creative-partnership","creative-team","duo","\u002Fartists\u002Fzhou-liya-han-zhen","总编导 · 长期创作搭档","故事只是入口。她们让北宋绘画的尺度、秩序与观看方式，成为今天的舞台时间。","《只此青绿》被命名为“舞蹈诗剧”，不是为了把诗句搬上舞台，而是因为它不愿让线性情节决定一切。希孟与展卷人像两条相隔九百多年的线，七个篇章在故事、画境与工艺之间展开；群舞又让人物、材料与山势不断彼此转化。\n\n对周莉亚与韩真来说，故事是入口，不是终点。创作越往深处，她们越关心时间与空间本身：一个今天的人怎样靠近一位只剩数行史料的少年；一卷画怎样从材料、劳动与观看中生长出来；一个身体怎样在舞台上获得山的尺度。\n\n于是，舞蹈不再是画作的插图，画也不只是故事的背景。人物关系把观众带进作品，身体、画境与时间又把作品重新打开。所谓“宋意”，不是复原一套宋代舞蹈，而是让北宋绘画的尺度、秩序与观看方式，在今天成为舞台的时间、空间与群体关系。","周莉亚、韩真均毕业于北京舞蹈学院编导系，是中国当代舞剧领域长期合作的导演、编舞家，现任职于中国东方演艺集团，并持续参与舞蹈教育与剧院艺术工作。两人长期合作，共同创作《沙湾往事》《杜甫》《永不消逝的电波》《花木兰》《只此青绿》《咏春》等舞剧。其作品多次获得中国文化艺术政府奖“文华大奖”、中国舞蹈“荷花奖”舞剧奖等重要专业奖项。她们的长期实践集中于一个问题：如何让中国历史、文学与视觉艺术进入当代剧场，同时仍以身体、时间和空间作为舞蹈的第一语言。","周莉亚与韩真双人肖像","优先双人正式肖像，其次为两人在排练厅或剧场共同工作的真实影像。画面应体现共同创作，不要拆成两个独立名人卡；避免使用与本剧无关的红毯或领奖图。",{"src":484,"alt":541},"2026-08-17T17:21:28.653Z","2026-08-09T17:55:21.446Z",[547],{"field":108,"targetEntryId":446,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":550,"site":655},[551,572,590,606,623,639],{"entryId":552,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":554,"title":555,"status":23,"data":556,"revision":256,"publishedAt":568,"createdAt":569,"updatedAt":491,"relations":570},"03e84067-fb1d-4103-97b8-21096ea44bcc","product_showcase","city-editions","城市限定系列",{"category_key":557,"category":558,"title_localized":555,"story":559,"material":560,"size":560,"origin":561,"price":562,"sales_status":563,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":564,"image_alt":565,"image_guidance":566,"art_asset_path":484,"sort_order":567,"status":563},"limited","联名与限定","每抵达一座城市，卷上便多一处可以被记住的坐标。","待确认","中国","敬请期待","coming_soon",[],"青绿城市限定系列","尚未确认具体城市和产品前保持为空。确认后上传对应城市的官方限定产品图，不以风景图代替真实商品。",60,"2026-08-17T17:50:06.152Z","2026-08-17T17:50:05.993Z",[571],{"field":108,"targetEntryId":434,"position":110},{"entryId":573,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":574,"title":575,"status":23,"data":576,"revision":256,"publishedAt":586,"createdAt":587,"updatedAt":491,"relations":588},"5555ad80-325a-4e26-bf12-80d10eff9ca4","mineral-colour-set","矿彩文具组",{"category_key":577,"category":578,"title_localized":575,"story":579,"material":560,"size":560,"origin":561,"price":580,"sales_status":581,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":582,"image_alt":575,"image_guidance":583,"art_asset_path":484,"sort_order":584,"status":585},"colours","色彩系列","一笔一画之间，也有山石缓慢沉下来的重量。","¥99.9 \u002F $99.9","venue_only",[],"优先使用完整文具组的平铺产品图，能够清楚辨认色卡、笔记本或书写工具。不要只上传抽象矿石素材。",50,"preview","2026-08-17T17:50:05.827Z","2026-08-17T17:50:05.659Z",[589],{"field":108,"targetEntryId":434,"position":110},{"entryId":591,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":592,"title":593,"status":23,"data":594,"revision":256,"publishedAt":602,"createdAt":603,"updatedAt":491,"relations":604},"d6c93db3-aa5c-4767-8cb0-98d776501560","programme-book","演出场刊",{"category_key":595,"category":596,"title_localized":593,"story":597,"material":598,"size":560,"origin":561,"price":580,"sales_status":581,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":599,"image_alt":600,"image_guidance":601,"art_asset_path":484,"sort_order":103,"status":585},"performance","演出纪念","灯光暗下以后，仍可以一页一页回到那一晚。","纸张",[],"只此青绿演出场刊","优先使用正式场刊封面与翻页内页。画面应清晰呈现书册实体、封面标题与纸张质感。","2026-08-17T17:50:04.951Z","2026-08-17T17:50:04.809Z",[605],{"field":108,"targetEntryId":434,"position":110},{"entryId":607,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":608,"title":609,"status":23,"data":610,"revision":256,"publishedAt":619,"createdAt":620,"updatedAt":491,"relations":621},"99a19f1b-0652-4f06-943a-8aaddb952b0b","scroll-postcards","长卷明信片",{"category_key":611,"category":612,"title_localized":609,"story":613,"material":614,"size":560,"origin":561,"price":580,"sales_status":581,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":615,"image_alt":616,"image_guidance":617,"art_asset_path":484,"sort_order":618,"status":585},"scroll","画卷系列","把九百年的一小段风景，寄给另一个城市。","艺术纸",[],"千里江山图长卷明信片组","上传一张明信片套组主图，并可在轮播图加入不同画面、背面与包装细节。产品图应以卡片实体为主体。",30,"2026-08-17T17:50:05.251Z","2026-08-17T17:50:05.106Z",[622],{"field":108,"targetEntryId":434,"position":110},{"entryId":624,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":625,"title":626,"status":23,"data":627,"revision":148,"publishedAt":635,"createdAt":636,"updatedAt":491,"relations":637},"2db7ff6b-74d5-4b1f-8524-a902924326f6","silk-scarf-azurite","丝巾 · 石青",{"category_key":577,"category":628,"title_localized":626,"story":629,"material":630,"size":560,"origin":561,"price":580,"sales_status":581,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":631,"image_alt":632,"image_guidance":633,"art_asset_path":484,"sort_order":634,"status":585},"色彩系列 \u002F 石青","这是那种让人走进山里去找的颜色。","桑蚕丝",[],"石青色丝巾","优先使用石青色丝巾的完整产品图或有清晰织物纹理的局部图；背景可呼应矿石与山水，不要以纯舞台剧照替代商品图。",10,"2026-08-17T17:50:04.663Z","2026-08-09T17:55:25.933Z",[638],{"field":108,"targetEntryId":434,"position":110},{"entryId":640,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":553,"slug":641,"title":642,"status":23,"data":643,"revision":256,"publishedAt":651,"createdAt":652,"updatedAt":491,"relations":653},"3b865c7f-330e-4319-a0cd-2bbf330c182f","thousandth-keepsake-book","第 1000 场纪念票根册",{"category_key":644,"category":645,"title_localized":642,"story":646,"material":560,"size":560,"origin":561,"price":647,"sales_status":563,"notify_enabled":158,"art_asset_id":484,"gallery_asset_ids":648,"image_alt":642,"image_guidance":649,"art_asset_path":484,"sort_order":650,"status":563},"performance limited","演出纪念 \u002F 限定","一千次落幕，收在同一本册页里。","待公布",[],"尚未确认实物前不要使用概念图冒充商品图。获得正式样品后，再上传封面、票根页与限定编号等实拍素材。",40,"2026-08-17T17:50:05.534Z","2026-08-17T17:50:05.370Z",[654],{"field":108,"targetEntryId":434,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"title":657,"description":99,"canonicalUrl":658,"robots":659,"alternates":660,"citationSummary":99,"author":661,"sourceUpdatedAt":661,"questions":662,"breadcrumbs":663,"facts":666},"只此青绿｜只此青绿","https:\u002F\u002Fwww.qinglu.example\u002F","index, follow",[],null,[],[664,665],{"name":22,"url":658},{"name":22,"url":658},{"source":667,"contentType":41,"slug":40},"qinglu-v3-content-seed",{"entries":669,"site":752},[670,684,695,707,719,730,741],{"entryId":671,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":673,"title":674,"status":23,"data":675,"revision":68,"publishedAt":679,"createdAt":680,"updatedAt":679,"relations":681},"3d166b52-9641-42f8-9e33-da8c52953e9d","media_report","from-the-audience","来自观众",{"coverAssetId":676,"platform":677,"publishedLabel":678},"\u002Fuploads\u002Fqinglu-on-the-road-s7.jpg","微博","2026-08-10","2026-08-23T23:22:32.320Z","2026-08-23T22:00:58.105Z",[682],{"field":108,"targetEntryId":683,"position":110},"ccc855b9-4ae4-497e-ac5e-7a0f4f214f7f",{"entryId":685,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":686,"title":687,"status":23,"data":688,"revision":68,"publishedAt":691,"createdAt":692,"updatedAt":691,"relations":693},"8bf868b9-c011-4a3f-abcf-1b0253433c82","the-company","剧团群像",{"coverAssetId":689,"platform":81,"publishedLabel":690},"\u002Fuploads\u002Fqinglu-on-the-road-s6.jpg","2026-08-12","2026-08-23T23:22:32.034Z","2026-08-23T22:00:57.805Z",[694],{"field":108,"targetEntryId":683,"position":110},{"entryId":696,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":697,"title":698,"status":23,"data":699,"revision":68,"publishedAt":703,"createdAt":704,"updatedAt":703,"relations":705},"606443bf-a686-4497-9b15-18bfcc65dc67","the-moment-of-entering-the-painting","入画的一刻",{"coverAssetId":700,"platform":701,"publishedLabel":702},"\u002Fuploads\u002Fqinglu-on-the-road-s5.jpg","抖音","2026-08-14","2026-08-23T23:22:31.710Z","2026-08-23T22:00:57.530Z",[706],{"field":108,"targetEntryId":683,"position":110},{"entryId":708,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":709,"title":710,"status":23,"data":711,"revision":68,"publishedAt":715,"createdAt":716,"updatedAt":715,"relations":717},"1866946c-684b-490d-9247-96009f2a8a7e","between-two-cities","双城之间",{"coverAssetId":712,"platform":713,"publishedLabel":714},"\u002Fuploads\u002Fqinglu-on-the-road-s4.jpg","TikTok","2026-08-16","2026-08-23T23:22:31.453Z","2026-08-23T22:00:57.180Z",[718],{"field":108,"targetEntryId":683,"position":110},{"entryId":720,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":721,"title":722,"status":23,"data":723,"revision":68,"publishedAt":726,"createdAt":727,"updatedAt":726,"relations":728},"9ea6b0e4-eb4e-40c1-9800-91d4ecbedb63","sixty-seconds-on-stage","舞台六十秒",{"coverAssetId":724,"platform":725,"publishedLabel":414},"\u002Fuploads\u002Fqinglu-on-the-road-s2.jpg","YouTube","2026-08-23T23:22:31.121Z","2026-08-23T22:00:56.816Z",[729],{"field":108,"targetEntryId":683,"position":110},{"entryId":731,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":732,"title":733,"status":23,"data":734,"revision":68,"publishedAt":737,"createdAt":738,"updatedAt":737,"relations":739},"ca048f6f-dca9-42cf-a2b4-ce4ec226cf2a","in-rehearsal","排练进行中",{"coverAssetId":735,"platform":677,"publishedLabel":736},"\u002Fuploads\u002Fqinglu-on-the-road-s1.jpg","2026-08-20","2026-08-23T23:22:30.779Z","2026-08-23T22:00:56.457Z",[740],{"field":108,"targetEntryId":683,"position":110},{"entryId":742,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":743,"title":744,"status":23,"data":745,"revision":68,"publishedAt":748,"createdAt":749,"updatedAt":748,"relations":750},"e5c25c27-7268-4e06-bd76-77b2497407f8","behind-the-scenes","幕后花絮",{"coverAssetId":746,"platform":81,"publishedLabel":747},"\u002Fuploads\u002Fqinglu-on-the-road-s3.jpg","2026-08-22","2026-08-23T23:22:30.368Z","2026-08-23T22:00:56.100Z",[751],{"field":108,"targetEntryId":683,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":754,"site":783},[755,759,763,767,771,775,779],{"entryId":671,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":673,"title":674,"status":23,"data":756,"revision":68,"publishedAt":679,"createdAt":680,"updatedAt":679,"relations":757},{"coverAssetId":676,"platform":677,"publishedLabel":678},[758],{"field":108,"targetEntryId":683,"position":110},{"entryId":685,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":686,"title":687,"status":23,"data":760,"revision":68,"publishedAt":691,"createdAt":692,"updatedAt":691,"relations":761},{"coverAssetId":689,"platform":81,"publishedLabel":690},[762],{"field":108,"targetEntryId":683,"position":110},{"entryId":696,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":697,"title":698,"status":23,"data":764,"revision":68,"publishedAt":703,"createdAt":704,"updatedAt":703,"relations":765},{"coverAssetId":700,"platform":701,"publishedLabel":702},[766],{"field":108,"targetEntryId":683,"position":110},{"entryId":708,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":709,"title":710,"status":23,"data":768,"revision":68,"publishedAt":715,"createdAt":716,"updatedAt":715,"relations":769},{"coverAssetId":712,"platform":713,"publishedLabel":714},[770],{"field":108,"targetEntryId":683,"position":110},{"entryId":720,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":721,"title":722,"status":23,"data":772,"revision":68,"publishedAt":726,"createdAt":727,"updatedAt":726,"relations":773},{"coverAssetId":724,"platform":725,"publishedLabel":414},[774],{"field":108,"targetEntryId":683,"position":110},{"entryId":731,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":732,"title":733,"status":23,"data":776,"revision":68,"publishedAt":737,"createdAt":738,"updatedAt":737,"relations":777},{"coverAssetId":735,"platform":677,"publishedLabel":736},[778],{"field":108,"targetEntryId":683,"position":110},{"entryId":742,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":672,"slug":743,"title":744,"status":23,"data":780,"revision":68,"publishedAt":748,"createdAt":749,"updatedAt":748,"relations":781},{"coverAssetId":746,"platform":81,"publishedLabel":747},[782],{"field":108,"targetEntryId":683,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":785,"site":806},[786,791,796,801],{"entryId":471,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":473,"title":474,"status":23,"data":787,"revision":488,"publishedAt":489,"createdAt":490,"updatedAt":491,"relations":789},{"entity_type":476,"group":477,"order":83,"layout":478,"profile_status":23,"profile_url":479,"name":474,"role":480,"quote":481,"body":482,"biography":483,"image_asset_path":484,"portraitAssetId":484,"image_alt":485,"image_guidance":486,"image":788},{"src":484,"alt":485},[790],{"field":108,"targetEntryId":446,"position":110},{"entryId":495,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":496,"title":497,"status":23,"data":792,"revision":488,"publishedAt":507,"createdAt":508,"updatedAt":491,"relations":794},{"entity_type":476,"group":477,"order":27,"layout":478,"profile_status":23,"profile_url":499,"name":497,"role":500,"quote":501,"body":502,"biography":503,"image_asset_path":484,"portraitAssetId":484,"image_alt":504,"image_guidance":505,"image":793},{"src":484,"alt":504},[795],{"field":108,"targetEntryId":446,"position":110},{"entryId":512,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":513,"title":514,"status":23,"data":797,"revision":488,"publishedAt":524,"createdAt":525,"updatedAt":491,"relations":799},{"entity_type":476,"group":477,"order":256,"layout":478,"profile_status":23,"profile_url":516,"name":514,"role":517,"quote":518,"body":519,"biography":520,"image_asset_path":484,"portraitAssetId":484,"image_alt":521,"image_guidance":522,"image":798},{"src":484,"alt":521},[800],{"field":108,"targetEntryId":446,"position":110},{"entryId":529,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":472,"slug":530,"title":531,"status":23,"data":802,"revision":488,"publishedAt":544,"createdAt":545,"updatedAt":491,"relations":804},{"entity_type":533,"group":534,"order":301,"layout":535,"profile_status":23,"profile_url":536,"name":531,"role":537,"quote":538,"body":539,"biography":540,"image_asset_path":484,"portraitAssetId":484,"image_alt":541,"image_guidance":542,"image":803},{"src":484,"alt":541},[805],{"field":108,"targetEntryId":446,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"zh":808,"en":811,"generatedAt":814,"day":815},{"entries":809,"site":810},[],{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},{"entries":812,"site":813},[],{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17},"2026-10-13T09:32:19.367Z","2026-10-13",{"entries":817,"site":881},[818,827,836,845,854,863,872],{"entryId":144,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":145,"title":146,"status":23,"data":819,"revision":68,"publishedAt":174,"createdAt":175,"updatedAt":174,"relations":825},{"chapter_number":148,"subtitle":149,"summary":150,"image_asset_path":151,"body":150,"guide_items":820},[821,822,823,824],{"key":154,"eyebrow":155,"title":156,"content":157,"defaultOpen":158},{"key":160,"eyebrow":161,"title":162,"content":163,"defaultOpen":15},{"key":165,"eyebrow":166,"title":167,"content":168,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":173,"defaultOpen":15},[826],{"field":108,"targetEntryId":178,"position":110},{"entryId":180,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":181,"title":182,"status":23,"data":828,"revision":68,"publishedAt":202,"createdAt":203,"updatedAt":202,"relations":834},{"chapter_number":68,"subtitle":184,"summary":185,"image_asset_path":186,"body":185,"guide_items":829},[830,831,832,833],{"key":154,"eyebrow":155,"title":156,"content":189,"defaultOpen":158},{"key":191,"eyebrow":192,"title":193,"content":194,"defaultOpen":15},{"key":196,"eyebrow":197,"title":198,"content":199,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":201,"defaultOpen":15},[835],{"field":108,"targetEntryId":178,"position":110},{"entryId":207,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":208,"title":209,"status":23,"data":837,"revision":68,"publishedAt":225,"createdAt":226,"updatedAt":225,"relations":843},{"chapter_number":211,"subtitle":212,"summary":213,"image_asset_path":214,"body":213,"guide_items":838},[839,840,841,842],{"key":154,"eyebrow":155,"title":156,"content":217,"defaultOpen":158},{"key":191,"eyebrow":192,"title":193,"content":219,"defaultOpen":15},{"key":196,"eyebrow":197,"title":221,"content":222,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":224,"defaultOpen":15},[844],{"field":108,"targetEntryId":178,"position":110},{"entryId":230,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":231,"title":232,"status":23,"data":846,"revision":68,"publishedAt":247,"createdAt":248,"updatedAt":247,"relations":852},{"chapter_number":27,"subtitle":234,"summary":235,"image_asset_path":236,"body":235,"guide_items":847},[848,849,850,851],{"key":154,"eyebrow":155,"title":156,"content":239,"defaultOpen":158},{"key":191,"eyebrow":192,"title":193,"content":241,"defaultOpen":15},{"key":196,"eyebrow":197,"title":243,"content":244,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":246,"defaultOpen":15},[853],{"field":108,"targetEntryId":178,"position":110},{"entryId":252,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":253,"title":254,"status":23,"data":855,"revision":68,"publishedAt":270,"createdAt":271,"updatedAt":270,"relations":861},{"chapter_number":256,"subtitle":257,"summary":258,"image_asset_path":259,"body":258,"guide_items":856},[857,858,859,860],{"key":154,"eyebrow":155,"title":156,"content":262,"defaultOpen":158},{"key":191,"eyebrow":192,"title":193,"content":264,"defaultOpen":15},{"key":196,"eyebrow":197,"title":266,"content":267,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":269,"defaultOpen":15},[862],{"field":108,"targetEntryId":178,"position":110},{"entryId":275,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":276,"title":277,"status":23,"data":864,"revision":68,"publishedAt":292,"createdAt":293,"updatedAt":292,"relations":870},{"chapter_number":83,"subtitle":279,"summary":280,"image_asset_path":281,"body":280,"guide_items":865},[866,867,868,869],{"key":154,"eyebrow":155,"title":156,"content":284,"defaultOpen":158},{"key":191,"eyebrow":192,"title":193,"content":286,"defaultOpen":15},{"key":165,"eyebrow":166,"title":288,"content":289,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":291,"defaultOpen":15},[871],{"field":108,"targetEntryId":178,"position":110},{"entryId":297,"organizationId":6,"programId":7,"siteId":5,"localeSpaceId":8,"contentType":51,"slug":298,"title":299,"status":23,"data":873,"revision":68,"publishedAt":316,"createdAt":317,"updatedAt":316,"relations":879},{"chapter_number":301,"subtitle":302,"summary":303,"image_asset_path":304,"body":303,"guide_items":874},[875,876,877,878],{"key":154,"eyebrow":155,"title":156,"content":307,"defaultOpen":158},{"key":191,"eyebrow":192,"title":309,"content":310,"defaultOpen":15},{"key":165,"eyebrow":166,"title":312,"content":313,"defaultOpen":15},{"key":170,"eyebrow":171,"title":172,"content":315,"defaultOpen":15},[880],{"field":108,"targetEntryId":178,"position":110},{"siteId":5,"organizationId":6,"programId":7,"localeSpaceId":8,"siteSlug":9,"programSlug":10,"localeCode":11,"regionPolicy":12,"themeKey":13,"timezone":14,"maintenanceMode":15,"matchedBy":13,"host":16,"pathPrefix":17}]